Layered homogeneities: Madhusudan Dutt and the dilemma of early Bengali theatre

Dhrupadi Chattopadhyay (Author)

Department of Post Graduate Studies and Research, SNDT University, Mumbai


Owing to its colonial tag, Christianity shares an uneasy relationship with literary historiographies of nineteenth-century Bengal: Christianity continues to be treated as a foreign import capable of destabilizing the societal matrix. The upper-caste Christian neophytes, often products of the new western education system, took to Christianity to register socio-political dissent. However, given his/her socio-political location, the Christian convert faced a crisis of entitlement: as a convert they faced immediate ostracization from Hindu conservative society and even as a devout western modernized could not partake in the colonizer’s version of selective Christian brotherhood. I argue that Christian convert literature imaginatively uses Hindu mythology as a master-narrative to partake in both these constituencies. This paper turns to the reception aesthetics of an oft forgotten play by Michael Madhusudan Dutt, the father of modern Bengali poetry, to explore the contentious relationship between Christianity and colonial modernity in nineteenth-century Bengal. In particular, Dutt’s deft use of the semantic excess as a result of the overlapping linguistic constituencies of English and Bengali is examined. Further, the paper argues that Dutt consciously situates his text at the crossroads of different receptive constituencies to create what I call layered homogeneities. 

Author Biography

Dhrupadi Chattopadhyay, Department of Post Graduate Studies and Research, SNDT University, Mumbai
I have recently completed my doctoral studies at the Department of Modern South Asian Literatures and Languages, South Asia Institute, University of Heidelberg. I am currently employed as an assiatant professor in English at the Department of Post Graduate Studies and Research, SNDT University, Mumbai.


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How to Cite
Chattopadhyay, D. (2015). Layered homogeneities: Madhusudan Dutt and the dilemma of early Bengali theatre. The South Asianist Journal, 4(2). Retrieved from